Useful listening criteria for generated accompaniment
I am making a practice track for a dance class with spoken counts over generated instrumental backing. The opening bars contain a buzzing edge just before the first movement starts. The recording is intended for learning a sequence, with clear timing as the main requirement. I encountered [url=https://removeaudioartifacts.top]remove suno artifacts[/url] while researching the buzz, and I want to evaluate any processing against that practical requirement. A reduction in buzzing might help, but I still need to establish whether the timing cues survive any processing. Would you compare the count-in and the first full phrase at the playback level used in class? The recorded counts can remain unchanged while I compare different versions of the instrumental layer. My listening notes would cover rhythmic attacks and the clarity of the downbeat alongside the unwanted texture. How would you judge whether reduced buzzing was worth a change in the movement cues?
